I've worked in a variety of Stage Management and Technical roles.  Working as a Stage Manager, Sound programmer and operator and more recently as production manager - including international production's 'We Came To Dance' and 'Tale of Transatlantic Freedom'.

These roles have ranged from QLab programming of audio and video, to Operation sound and LX and in room stage management.

As a musician I have a good ear for sound, working on a number of productions in this capacity - from programming to operation and design.  I've worked on a mixture of live events and live theatre in both conventional and unconventional spaces - including shopping centres and forests.

Highlights

We Came To Dance

In 2021 I worked with Food Tank, Yard Heads LTD and the UN Food organisation as a Production and Technical manager on We Came To Dance (Pictured below).  Handling covid procedures and risk assessments  for the production along side operating around 70 performance, plus pop up shows and Good Morning Britain, Al Jazeera & BBC performances.

Accidentally Muslim

In 2019 I worked with Lauren Booth, Sister-In-Law of Tony Blair, to bring her Memoir's to life, along with Mo Sesay.  From extensive Video and audio programming and cueing, this show was a real conversation between the technical elements of the show and the performer.  Aside from in room QLab programming, I operated the QLab, Sound and LX for the run of the show.

This is Memorial Device

I worked as Assistant Production Manager alongside the Royal Lyceum Theatre in Edinburgh to produce a series of shows across their 2022 festival programming including Tim Crouch's 'Truths A Dog Must to Kennel', Mara Menzies 'Blood and Gold' and a particular focus on 'This Is Memorial Device', for the Edinburgh Book Festival, based on the novel David Kenan.  Both Truths a Dog and Memorial Device received Fringe First Awards.

Tales of Transatlantic Freedom

In 2022 I worked with Yard Heads International, once again, along with International Mezzo-Soprano Andrea Baker and Opera Composer Howard Moody.  Working as the stage manager for the production I designed, programmed and re-rigged Lights along with conventional stage management duties.  I worked with the team to provide pop up performances for the BBC and the full production in the Pianodrome at the Royal High School.  The production received 5 star reviews that can be seen here.  In 2023 we take the show on a North American Tour starting in Boston.

SM and Technical CV: